Contributed by Mark Leslie
"Travel and Food Experiences in Italy~ their influences on my American life, plus photos and recipes, too!" by Mark Leslie, author "Beyond the Pasta: Recipes, Language & Life with an Italian Family"
Awaiting Spring~
It has been a colder than usual winter here in the South. Yes, I know those of you north of the Mason-Dixon line have certainly had your fill of it, too.
We have several potted citrus trees, which usually spend their winter outside; however, on the rare occasions where the temperature dips into the 20s and below, we bring the pots into the house turning our kitchen into an orangery.
Within a week of being brought in, they will bloom and perfume the entire house with their heady citrus scent—something that normally announces the coming of spring. But soon the blooms fade and drop, followed by leaves that are yearning for more than four hours of sunlight. They look rather anemic at the moment and it is always a race between their health and stable overnight outdoor temperatures above 30 degrees. Winter has lingered here longer than usual and I hope the trees can survive another week in our orangery.
Almost every villa or palazzo in Italy has an orangery. Long, narrow, terracotta-roofed, multi-windowed structures can be found toward the back of the properties. Here terracotta pot after terracotta pot of citrus tree varieties—orange, lemon, lime, grapefruit, and pomegranate—can be found geometrically placed around the garden, covered in blooms in the spring and heavily laden with fruit in the fall. When the temperature drops, the pots are moved inside the orangery where the warm winter sun pours through the glass, drenching the plants with much needed light, and warming the terracotta pots and terracotta floor tiles. When scurvy and other diseases caused by malnutrition were all the rage, an orangery would provide fresh fruit, a much needed source of vitamins and minerals, well into the winter.
The orangery at the Villa Pisani, just outside of Padova, was beautiful this past November when we visited. The enormous garden outside the structure was full of potted, fruited trees. The building did have some plants in it, but the vast majority of them were still outside enjoying the pleasant weather.
Sometimes people ask how our trips to Italy influence us. At times the influences are subconscious and are never consciously realized, but there are many times when sights in Italy are put into practical application. The orangery in our kitchen is one of those literal and obvious applications.
If your fruit trees are still buried with a blanket of white, I hope the photos will remind you that soon the trees will be flowering, the birds will be singing, and the bees will be buzzing.
Ciao e a presto~
Mark
(**The first three photos are from the Villa Pisani and the last photo is our make-shift orangery in the kitchen.)
Click here to see another photo of the Villa Pisani.
Contributed by Mark Leslie
Mark Leslie works in professional theatre as a stage manager and is a member of Actors’ Equity Association. Currently he is busy working with Gemelli Press on his first book "Beyond the Pasta: Recipes, Language & Life with an Italian Family." http://beyondthepasta.com
Every year, Mark vacations in Italy and lives to eat his way through every plate of pasta and cone of gelato placed before him. In 2005, he had the good fortune to live for a month in Viterbo, Italy with the Stefani family. There he took cooking lessons from Nonna, the grandmother of the family, and Italian language lessons from Alessandra, the mother. That experience is the basis of his first book "Beyond the Pasta: Recipes, Language, & Life with an Italian Family." SEE DETAILS ABOUT THE BOOK: http://mark-leslie.net/we-have-a-publisher
THEATRICAL CREDITS:
Mark is in Winona, MN working on GRSF's production of COMEDY OF ERRORS. Recently, he wrapped up LE NOZZE DI FIGARO and AIDA for Opera Birmingham in Alabama. Last September, he stage managed CABARET at the Arts Center of Coastal Carolina in Hilton Head, SC. He also worked at the Arts Center in 2005 on its production of Evita. This past summer, he worked in Minnesota on Great River Shakespeare Festival’s production of Love’s Labour’s Lost. Over the past 22 years, Mark’s regional theatre credits include: Denver Center Theatre Company (White Christmas, Noises Off, and a reading of a new adaption of The Unsinkable Molly Brown directed by Kathleen Marshall and authored by Dick Scanlon), Alabama Shakespeare Festival (resident stage manager on over 65 productions), Actors’ Theatre of Louisville’s Humana Festival (D. Boone by Marsha Norman), Arizona Theatre Company (Amadeus, Loot, and Ain’t Misbehavin’ directed by Arthur Faria), and Maine State Music Theatre (Phantom, South Pacific, Jesus Christ Superstar, La Cages Aux Folles, and the world premiere of Chamberlain).
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